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La Rueda de Casino o Rueda cubana es un estilo de baile para el son la cucaracha Tacañito – tacañita Yogurt – chocolate – yogurt con tapa Ni pa ti, ni pa mi. Rueda de Casino . in 1½ L-Drehung führen (frühestens auf der '4'!), dann mit äußerem Dile que no wieder in den offenen Casino zurück .. Yogúrt, Yoghurt. Jan. Rueda (de Casino): Typische Ruedafiguren und ihre Namen Prima Con Hermana Con La Tia Yoghurt und Variationen: Yoghurt - Yoghurt.

The same as dame , but miss out two partners. Right-to-right, follower turns right, left, leader turns right, Enchufa then Dile Que No. Follower's left turn and leaders move to the next follower.

Enchufa , but the leader stops the follower with his right arm, then pushes her back, and repeats a normal Enchufa.

Enchufa Doble , then the leader changes hands, and makes the follower do a right turn in the centre, twice. Abajo , Arriba , Para el Medio.

Dame , Dile Que No , Enchufa. Enchufa then stamp, clap, stamp, clap, stamp, clap, clap clap. Hold both hands, right over left, and turn her to her left, then move your left arm over your head, and your right over hers - video.

Spaghetti - or espagueti , since most Spanish speaking people cannot pronounce sp or st at the beginning of a word.

In each exchange of partners, right after the LE has left but before the new LE has arrived , FOs should be facing the center of the Rueda , ready to step back on "1" R foot , out of the Rueda.

Be aware of your space and the local ebb and flow of your movements relative to your nearest neighbors, as well as to the Rueda as a whole.

This generally represents the most common turns that are typically called in the Rueda circles here in the South Florida Salsa clubs.

If you're looking for good Salsa Rueda Casino Rueda tapes, with steps similar to the styles common in Singapore, I recommend the following:.

The final act of the Matinee Dance Performances, which will take place on the dance floor in the Grand Ballroom, will feature a rueda performed by several rueda dance companies from several cities.

Quickly move to the second lady to the right. Ladies, once started on the inside turn left turn , continue solo and wait for the next leader to pick you up out of the turn.

With 2 couples, this call has a special feel. To add some flair to it, just as you break to do-se-do around the other leaders, turn your ladies by her R shoulder IT, clockwise.

The leaders must be especially quick to get around in this. Two fingers up Same as Dame Dos, but with two hand claps as you pass through the center.

Depending on your dance school, the Dame Dos move is already done with two handclaps. In that case, this call is not used.

Meanwhile, the lady is doing a turn in the opposite direction, so that you pass each other. Pick her up for a cross body lead to switch into position.

Swing her around in front in time to go back into the basic rueda step, ending with the right hand to left hand push-off.

Closed fist held up, arm moves up and down, like pulling on a truckers horn After cross body lead or stop and go, pulse the lady and bring her to the right side under the left arm as she does a half turn to face you, leaders move to where ladies started.

Then step to the inside to pass them. Don't let go with the left hand until the last moment. Closed fist held up, arm moves up and down, like pulling on a truckers horn, with pointer and pinkie fingers up; two fingers means double Same as above but after you start to bring her to the right under your left arm, stop her half way with the right hand on the back, and send her back.

Do the move again this time continue as above. Closed fist held up, arm moves up and down, like pulling on a truckers horn, plus the added turn sign, pointer finger up moving in circular motion Same as above, but after she passes all the way to right under the leaders left arm, with continuous motion the leaders left arm comes down and goes back up.

The leader turns to the right under his arm and immediate goes for the next lady passing his last partner on the inside.

Closed fist held up, arm moves up and down, like pulling on a truckers horn, and Same as the single and double Enchufle, but adding a bit of abuse to the end.

After she completes her move to the right side, and as the leader steps to the inside to pass her, with his right hand he taps the top of her right hand which he is still holding and then taps her forehead.

All this in time to the music. Do 3 or 4 if called Enchufles in a row with 1,2,3 or 4 claps just before picking up the next girl.

Do 1 clap after the first, 2 after the second, etc. Same as an Enchufle, except you put your hands together and dive up to the next girl.

Leaderss finish this pattern facing counterclockwise, and do not pick up the next partner. This can be used to initiate arriba, abajo, aburrete, pa' el medio, etc.

The claps are initiated on the leaders left foot, just after leaving your partner to pick up your new lady. Then the leaders and ladies salsa mummy-like in and out towards, then away from each other until the caller stops the terror with 'alli nada mas'.

Then do a cross body lead to get back into the Rueda. Use the momentum of your arm as it comes out and down from the enchufla turn to initiate your right turn.

You stay with your original partner unless the caller calls 'dame'. The leaders can embellish this by getting to the inside with a quick hook turn at the end of the counts.

As soon as you are facing the next lady, leaders lift and pass under ladies right arm to next partner. Same as Festival de Enchufle, but doing Adios instead.

Same as above but after lifting ladies arm up step through and turn left bringing her arm down when you complete the turn.

Leaders step toward the next lady with his right arm reaching over his left arm, which is still holding the ladies right hand.

Then let go and grab next partner. Wave good-bye then hand to the chest Start with the same half spot turn to the right as above, but as soon as leaders face center, lift ladies right arm and step towards center then turn to the left whipping around to face your partner.

Leaders backs are to center, look at your partner. Pulse her and bring her to the center passing in front you and under your left arm, at the same time leaders switch positions so now they face center and ladies face them.

Next pull the ladies out of center and directly not under an arm to leaders right side catching with the right arm on her back.

Ready for the cross body lead. In leading this outward turn, the leaders dances in place while the ladies finishes the outward turn.

Stay with your original lady thru , only leaving to pick up the new lady on the next pacewith an cross body loop. Usually with legs apart and snapped together.

This is done on the "1" or when the leaders right foot and ladies left come together. On the first 3 count, lift ladies right hand up and turn her outside her right.

As she completes turn bring her right hand back down and hold out straight, her left hand is wrapped behind her waist.

On the second 3 count, leaders turn her back the other way, moving her to the right side then looping their right arm over their head leaders right hand to their left shoulder, ladies arm loops over and behind leaders head.

Ladies left arm rests on leaders right shoulder, Leaders right hand drops under ladies left shoulder and rests on her back, now ready for cross body lead.

After unwinding out of hammerlock, bring the lady to your right side, around behind, while taking both her hands in your right hand.

Reach in the circle, touching the other leaders's hands with your free left hand. Bring the lady back around front and across with a one-handed cross body lead, changing her hands to your left hand to end in the open Rueda position.

Everybody touches hands in the center again. Rueda de Casino scenes may be seen in the movie Dance with Me and in the music video clip No me dejes de querer by Gloria Estefan.

Rueda de casino dance may also be seen in the documentary film "La Salsa Cubana. From Wikipedia, the free encyclopedia.

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